{"id":6113,"date":"2011-03-09T22:00:44","date_gmt":"2011-03-09T20:00:44","guid":{"rendered":"http:\/\/www.menzaprikoritu.org\/?p=6113"},"modified":"2021-11-26T23:39:24","modified_gmt":"2021-11-26T22:39:24","slug":"12-mednarodni-feministicni-in-queer-festival-rdece-zore-3","status":"publish","type":"post","link":"https:\/\/menzaprikoritu.kudmreza.org\/?p=6113","title":{"rendered":"12. Mednarodni feministi\u010dni in queer festival Rde\u010de zore"},"content":{"rendered":"<p><strong>Ne\u017ea Nagli\u010d &amp; Irena Toma\u017ein: nnit<\/strong><br \/>\nImprovizacijski koncert.<\/p>\n<p>Na improvizacijskem koncertu nnit Ne\u017ee Nagli\u010d in Irene Toma\u017ein boste izkusili sinesteti\u010dnost prepariranega klavirja, kuhinjskih pripomo\u010dkov in glasu. Avtorici sta sodelovanje opisali z besedami, ki so namenjene glasnemu branju. Poskusite: \u201de e e pk uUi struna khhhhhh hhhh metlica za aaaaha aa aha \u010dp\u017epfrkc\u017e\u0111 glad kooOcvilimili \u010din \u010din \u0111in b \u010drnabela nnnnit za stepa pprrrr\u0161\u0161\u0161 dojnk \u0161tojnk ccCi\u2019.<\/p>\n<p><span style=\"color: #000000;\"><strong>Ne\u017ea Nagli\u010d (Slovenija) <\/strong><\/span>spada  v mlaj\u0161o generacijo doma\u010dih svobodnih improvizatork. Zanima jo  raziskovanje zvo\u010dnih zmo\u017enosti klavirja, ki presegajo njegovo  funkcionalnost in temperirano uglasitev. Glasbenica posega v notranjost  in\u0161trumenta ter zvo\u010di strune in trup s pomo\u010djo razli\u010dnih predmetov; med  njimi se najdejo tudi gospodinjski pripomo\u010dki in hi\u0161nikovo orodje. Je  ve\u010dletna \u010dlanica eksperimentalnega kolektiva <strong>Salamandra Salamandra <\/strong>in  \u0161tevilnih <em>ad hoc<\/em> improvizacijskih zasedb. V zadnjem \u010dasu igra z  zasedbo <strong>Lolita<\/strong>, sodelovala pa je tudi z improvizatorji (<strong>Marko  Karlov\u010dec, Toma\u017e Grom, Seijiro Murayama<\/strong> in drugi). Ob\u010dasno organizira  koncerte alternativnega jazza, sodobne klasi\u010dne glasbe in improvizirane  glasbe.<\/p>\n<p><span style=\"color: #ff0000;\"><span style=\"color: #000000;\"><strong>Irena Toma\u017ein (Slovenija)<\/strong><\/span><span style=\"color: #000000;\"> je <\/span><\/span><span style=\"color: #000000;\">koreografinja, plesalka, igralka,  performerka in zvo\u010dna umetnica.\u00a0<strong> <\/strong>Za performansa <em>Kaprica<\/em> (2005) in <em>(S)pozaba kaprice<\/em> (2006) je  prejela nagrado zlata  ptica. Leta 2008 je nadaljevala z raziskovanjem  giba in glasu v  performansih <em>Kot kaplja de\u017eja v usta molka<\/em> in <em>Splet   okoli\u0161\u010din<\/em>. Samostojno nastopa pod imenom iT, soodelovala pa je z  mnogimi glasbeniki, med drugim z<\/span><strong> Lydio Lunch<\/strong><span style=\"color: #000000;\"> in s kolektivom <\/span><strong>Bast<\/strong>. <span style=\"color: #000000;\">V svojem raznolikem delu z <\/span>glasom \u010dleni popularne napeve  in teatralno pripovedni\u0161tvo, igra se z zlogi, ritmiko besed in demonta\u017eo  besed v stilu literarnih modernizmov in avantgardizmov prej\u0161njega  stoletja ter raziskuje izrazno mo\u010d sopenja, tleskov in vzdihljajev.<\/p>\n<p><strong>CHRA (Avstrija)<\/strong><br \/>\nSolisti\u010dni koncert.<br \/>\nG<span style=\"color: #000000;\">lasbenica in pevka chra se giblje med  eksperimentalno elektroniko, minimalisti\u010dnim tehnom in melanholi\u010dnim  popom. Kot pravi sama: \u2018Nizke frekvence, Soundeffects, Logic, Ableton  Live, sampler; kot film poti za u\u0161esa.<strong>\u2019 Christina Nemec<\/strong> pod tem imenom  nastopa in DJ-ja \u017ee od sredine devetdesetih in velja za \u017eivo legendo  dunajske queerovske glasbene scene: ustanovila je zalo\u017ebo Comfort Zone,  ki podpira lokalne glasbenice (npr. Cherry Sunkist, Bonnie Li, Frau Herz  in Alloy Alloy), sodelovala je v odli\u010dnih feministi\u010dno-queerovskih  projektih (glasbena zasedba SV Damenkraft in burleskna predstava <em>Orlanding  the Dominant<\/em>, za katero je napisala scenarij) in igrala s takimi  caricami kot sta Lydia Lunch in Gustav (Eva Jantschitsch).<\/span><strong>.<\/strong><\/p>\n<p><strong>Izbrana diskografija:<\/strong><strong><br \/>\n<\/strong><em>Derive<\/em><strong><em> <\/em><\/strong>(Comfortzone, 2009)<br \/>\n<a href=\"http:\/\/www.comfortzonemusic.com\">http:\/\/www.comfortzonemusic.com<\/a><br \/>\n<em>Verstreichen<\/em> (Autark, 2008)<br \/>\n<a href=\"http:\/\/www.autark-net.org\/index.php?id=5\">http:\/\/www.autark-net.org\/index.php?id=5<\/a><br \/>\n<em>Open Sounds Vienna <\/em>(kompilacija zalo\u017ebe Female Pressure, 2008)<br \/>\n<a href=\"http:\/\/www.autark-net.org\/index.php?id=5\">http:\/\/www.femalepressure.net<\/a><br \/>\n<em>Women Take Back the Noise <\/em>(kompilacija istoimenske zalo\u017ebe, 2006)<br \/>\n<a href=\"http:\/\/www.myspace.com\/chraxtl \">http:\/\/www.myspace.com\/chraxtl <\/a><\/p>\n<p>CHRA (foto: Mario Lang)<strong><br \/>\n<strong>Vstopnina: <\/strong><\/strong>5 \u20ac (za oba koncerta)<br \/>\n<strong>Organizacija: <\/strong>Rde\u010de zore\/Menza pri koritu<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6214\"  src=\"https:\/\/menzaprikoritu.kudmreza.org\/wp-content\/uploads\/2011\/03\/neza-in-irena.jpg\" alt=\"neza-in-irena\" width=\"404\" height=\"256\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6114\"  src=\"https:\/\/menzaprikoritu.kudmreza.org\/wp-content\/uploads\/2011\/03\/chra_foto_by_mario_lang_web.jpg\" alt=\"chra_foto_by_mario_lang_web\" width=\"700\" height=\"560\" \/><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>22.30 Ne\u017ea Nagli\u010d in Irena Toma\u017ein (improvizatorski duet)<br \/>\n23.30 CHRA (minimal\/pop)<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-6113","post","type-post","status-publish","format-standard","hentry","category-program"],"_links":{"self":[{"href":"https:\/\/menzaprikoritu.kudmreza.org\/index.php?rest_route=\/wp\/v2\/posts\/6113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/menzaprikoritu.kudmreza.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/menzaprikoritu.kudmreza.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/menzaprikoritu.kudmreza.org\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/menzaprikoritu.kudmreza.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6113"}],"version-history":[{"count":1,"href":"https:\/\/menzaprikoritu.kudmreza.org\/index.php?rest_route=\/wp\/v2\/posts\/6113\/revisions"}],"predecessor-version":[{"id":31750,"href":"https:\/\/menzaprikoritu.kudmreza.org\/index.php?rest_route=\/wp\/v2\/posts\/6113\/revisions\/31750"}],"wp:attachment":[{"href":"https:\/\/menzaprikoritu.kudmreza.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/menzaprikoritu.kudmreza.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/menzaprikoritu.kudmreza.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}